Frank Wasser is an Irish artist and writer based in Vienna, London and Dublin. Wasser is a lecturer in Art (Studio Practice) and Critical Studies at Goldsmiths, University of London. Wasser is supported by the Arts Council of Ireland, Visual Arts Bursary Award.
For a full dossier of work please contact contact@frankwasser.info
Frank Wasser is now represented by COMMUNE
Portfolio of a Selection of recent Exhibitions and Projects
'The Irish Face' at Tate Britain (October 2025)
'Debt' at Salzburger Kunstverein (February 2025)
'Plot-Holes' at the University of Oxford (December 2024)
'Welcome to the Neighbourhood' - Askeaton Contemporary (June 2024)
'Title, to be announced' at Steamworks, London (March 2024)
'Loading Bay' at the National Sculpture Factory (Ongoing)
'Split - Zero Hour Fragments' at South London Gallery MA Bibliothéque (October 2023)
'After Forethought' at UCC, Ireland (June 2023)
'On Tenterhooks' at PPS (October 2022)
Selected Recent Writing and Criticism
Researcher on Child Led project at Turner Contemporary (2018 -2022)
Education Work at Tate Modern and Tate Britain (2012 - 2025) (video from 2013)
News
Salzburger Kunstverein will be holding the launch of the catalogue reader of the 2024/2025 exhibition 'Debt curated by Hana Ostan-Ožbolt-Haas on the 12th of December at 7pm featuring Gleb Amankulov and FrankWasser.
This publication is both a document of the exhibition and an extension of its (spatial) narrative into the form(at) of a book. To make a book about debt in times of debt is to take part in a fragile economy of care. It means insisting that thought, like art, still matters, even when everything around us suggests austerity, delay, and scarcity. It asks how debt can be read, not only as an economic or political condition but as an emotional, symbolic, and even psychoanalytic relation.
The publication includes texts and essays by Mirela Baciak, Hana Ostan-Ožbolt-Haas, Benjamin Hirte, Miriam Stoney, Frank Wasser, and Alenka Zupančič and is published by DISTANZ Verlag and Salzburger Kunstverein.


THE GIRL WHO KILLED THE BOY WHO CRIED WOLF (PART ONE) AND (PART TWO) (2014-2016)
THE GIRL WHO KILLED THE BOY WHO CRIED WOLF is a science fiction screenplay and ongoing work that takes the form of printed material and audio installation within an expanded context. The screenplay takes place in the same universe as the 1983 film Born in Flames. The screenplay is set in a not-so distant future in the aftermath of the events that take place in the film Born in Flames (1983). Born in Flames is a 1983 documentary-style feminist science fiction film by Lizzie Borden that explores racism, classism, sexism and heterosexism in an alternative United States socialist democracy.
Image of the promotional poster for Born in Flames (1983) Lizzie Borden
Currently two parts of the screenplay have been published. Part three will be published in Autumn 2016.
Part One was also included in How To See Clearly From A Distance (2014) by Jennie Guy. The project was commissioned by Galway University Hospital as part of TULCA 2014. Artist Jennie Guy asked a selection of artists and writers to read out texts that they have written, chosen with a particular context in mind. Available online and advertised via posters in the hospital for the duration of TULCA 2014, these voices offered a series of narratives that stray between the mundane and the imaginary, simultaneously distant and intimately present.Contributing artists and writers included: Hu Fang, Fergal Gaynor, Jennie Guy, Russell Hart, Léa Lagasse, Tamarin Norwood, Leila Peacock, Alan Phelan and Frank Wasser. You can listen to a reading of this part by visiting the following page: https://soundcloud.com/howtoseeclearly
PART ONE
Part One was published as paart of an artist book published on the occasion of Jason Dunne's Emerging Artist Award Exhibition at Siamsa Tire Gallery, Tralee, Co.Kerry, Ireland.
An Egg in the Sky by Jason Dunne
Published by Siamsa Tire Gallery (2013)
107 Pages, 14.5 x 20cm, Soft cover,
Edition of 100
Contents:
Drawings by Jason Dunne
'An Egg in the Sky' by Jason Dunne
'The Girl Who Killed the Boy Who Cried Wolf', a screenplay by Frank Wasser
'My Fathers', an excerpt from a theatrical script by Joseph Noonan-Ganley
Designed by Studio Hato with Ai-Lun Huang








PART TWO
PART TWO of the screenplay was published as part of the second issue of Paperwork magazine.
http://www.paperworkmagazine.com
PaperWork is a self published art writing print and event magazine. It is organised by Sarah Charalambides, Jessa Mockridge and Catherine Smiles.
PaperWork is designed by Stinsensqueeze, and printed by Two Press.
Contact at paperworkmagazine@gmail.com
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