Frank Wasser is an Irish artist and writer based between Vienna and London. This website is and always will be under construction. For a dossier of work please email francis.wasser@gmail.com
Frank Wasser is supported by the Arts Council of Ireland .
Upcoming: Debt
Annual Exhibition of the members of the Salzburger Kunstverein 2024
14 December 2024 – 16 February 2025
Opening: 13 December 2024, 20:00
Debt is a broad concept that can be examined from various perspectives, including its emotional, social, historical, and economic dimensions. Symbolically, it represents any form of imbalance. It can also be understood as the distortion of a promise. Contemporary society is shaped by promises—of security, community and care—often dictated by economic contracts, historical injustices and societal expectations. Debt functions both as an ‘investment in the self’ and as a mechanism closely tied to control and discipline, as well as to responsibility, obligation and guilt. Between the fragility and persistence of the (power) structures that bind us together, the exhibition responds to the topic in its material—largely sculptural—written and spoken forms.
Artists: Gleb Amankulov, Benjamin Hirte, David L. Johnson, Tammy Langhinrichs, Artur Schernthaner-Lourdesamy, Miriam Stoney, Magdalena Stückler, Frank Wasser
Curator: Hana Ostan-Ožbolt-Haas
more here: https://salzburger-kunstverein.at/annualexhibition2024_debt
THE GIRL WHO KILLED THE BOY WHO CRIED WOLF (PART ONE) AND (PART TWO) (2014-2016)
THE GIRL WHO KILLED THE BOY WHO CRIED WOLF is a science fiction screenplay and ongoing work that takes the form of printed material and audio installation within an expanded context. The screenplay takes place in the same universe as the 1983 film Born in Flames. The screenplay is set in a not-so distant future in the aftermath of the events that take place in the film Born in Flames (1983). Born in Flames is a 1983 documentary-style feminist science fiction film by Lizzie Borden that explores racism, classism, sexism and heterosexism in an alternative United States socialist democracy.
Image of the promotional poster for Born in Flames (1983) Lizzie Borden
Currently two parts of the screenplay have been published. Part three will be published in Autumn 2016.
Part One was also included in How To See Clearly From A Distance (2014) by Jennie Guy. The project was commissioned by Galway University Hospital as part of TULCA 2014. Artist Jennie Guy asked a selection of artists and writers to read out texts that they have written, chosen with a particular context in mind. Available online and advertised via posters in the hospital for the duration of TULCA 2014, these voices offered a series of narratives that stray between the mundane and the imaginary, simultaneously distant and intimately present.Contributing artists and writers included: Hu Fang, Fergal Gaynor, Jennie Guy, Russell Hart, Léa Lagasse, Tamarin Norwood, Leila Peacock, Alan Phelan and Frank Wasser. You can listen to a reading of this part by visiting the following page: https://soundcloud.com/howtoseeclearly
PART ONE
Part One was published as paart of an artist book published on the occasion of Jason Dunne's Emerging Artist Award Exhibition at Siamsa Tire Gallery, Tralee, Co.Kerry, Ireland.
An Egg in the Sky by Jason Dunne
Published by Siamsa Tire Gallery (2013)
107 Pages, 14.5 x 20cm, Soft cover,
Edition of 100
Contents:
Drawings by Jason Dunne
'An Egg in the Sky' by Jason Dunne
'The Girl Who Killed the Boy Who Cried Wolf', a screenplay by Frank Wasser
'My Fathers', an excerpt from a theatrical script by Joseph Noonan-Ganley
Designed by Studio Hato with Ai-Lun Huang
PART TWO
PART TWO of the screenplay was published as part of the second issue of Paperwork magazine.
http://www.paperworkmagazine.com
PaperWork is a self published art writing print and event magazine. It is organised by Sarah Charalambides, Jessa Mockridge and Catherine Smiles.
PaperWork is designed by Stinsensqueeze, and printed by Two Press.
Contact at paperworkmagazine@gmail.com
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